"It is a sacrilege," bell hooks wrote in a 1994 essay about the work of Felix Gonzalez-Torres, "to reserve this beauty solely for art." The latest exhibition of his work, and the first at David Zwirner Gallery, arrives on the occasion of the artist's longtime gallerist and estate executor Andrea Rosen's recently announced co-representation of Gonzales-Torres's estate with David . Lot Essay. Laycock died of . 1993 "Untitled" (Last Light) No image available. Gonzalez-Torres used everyday objects, such as candy, to make incredibly open-ended artworks. Felix Gonzalez-Torres (1957-1996) "Untitled" (L.A.) green candies individually wrapped in cellophane, endless supply. "Felix Gonzalez-Torres, 'Untitled . From Heritage Auctions, Attributed to Felix Gonzalez-Torres, Untitled (Double Portrait), Print on paper, 27 1/2 × 39 in Felix Gonzalez-Torres: "Untitled" October 21-December 16, 2013 The billboard is a vernacular format that the Cuban-born American artist Felix Gonzalez-Torres (1957-1996) repurposed in an effort to engage diverse audiences and expand the public function of art. For week one of #GoingBacktoMoveForward, Jocelyn writes: "For my first contribution, I chose Felix Gonzalez-Torres "Untitled" (billboard of an empty bed), 1991.This work subtly and powerfully touches upon many of the lived realities we are collectively facing. Scott Watson November 16 - December 22, 1990. Felix Gonzalez-Torres, "Untitled" (Portrait of my father), Hard Candy, Variable, Courtesy of the Carlos and Rosa de la Cruz collection. Overall dimensions vary with installation. In the case of his candy works, the audience may choose on Felix Gonzalez - Torres, Untitled, (Portrait of Ross in L.A.) Art Institute of Chicago (1991) "Untitled" (Portrait of Ross in L.A.) is a metaphorical representation of the artist's partner, Ross Laycock (1959 - 1991). ideal weight: 50 lbs (22.7 kg) Executed in 1991. González-Torres's openly gay sexual orientation was influential in his work as an artist. Captured on film, Gonzalez-Torres presents a fleeting moment; drifting clouds creating a sublime scene. Original installation: approximately 10,000 fortune . From Wikipedia, the free encyclopedia Untitled (Perfect Lovers) is a work of art produced by Félix González-Torres between 1987-1990 and 1991. Generous gestures. 1991 "Untitled" (March 5th) #2 Artist. Felix Gonzalez-Torres, untitled (Water), 1995, plastic beads and metal rod, installation dimensions variable (installation view) Felix Gonzalez-Torres, untitled, 1995, paint on wall, dimen-sions vary with installation (installation view) About Félix González-Torres González-Torres created Untitled in 1991 around the time Ross, his boyfriend, died from AIDS. Green candies individually wrapped in cellophane, endless supply. "Untitled" (L.A.) by Félix González-Torres February 9, 2022 As one of Félix González-Torres's powerful candy-spill works, "Untitled" (L.A.) finds beauty in the everyday by transforming a bounty of cellophane-wrapped candies into a dazzling arrangement of color, form, and texture. Gonzalez-Torres used everyday objects, such as candy, to make incredibly open-ended artworks. AB2018.20. Felix Gonzalez-Torres. Felix Gonzalez-Torres (1957-1996, Cuba) used everyday materials, such as lightbulbs, paper, and candy, to engage viewers in deeper consideration of intrapersonal and cultural issues. Contemplative and deeply poetic, Felix Gonzalez-Torres's "Untitled" (March 5th) #2 is a profoundly moving sculptural expression that is at once personal and poignantly universal, evoking myriad associations such as love, loss, and the potential for continuous renewal. Gonzalez-Torres's iconic billboard work, "Untitled" 1989, is on view June 4 - July 28 and is presented in collaboration with The Felix Gonzalez-Torres Foundation with lead support by Google. This work, "Untitled" (L.A.) by artist Felix Gonzalez-Torres, relies on your participation as the viewer to contribute to the work's power. Felix Gonzalez-Torres, Untitled, (North), 1993, 12 light strings 22 lightbulbs each, extension cords, porcelain, as installed at Milwaukee Art Museum. Felix Gonzalez-Torres was known for his minimalist, often conceptual, installations and sculptures that assembled quantities of a common object, such as a string of lights, stack of paper, or individually wrapped candy, to convey complex meaning and encourage audience participation. It is also one of the main issues informing his political activism— which he pursued in particular with the Group Material . Andrea Rosen Gallery, New York. Felix Gonzalez-Torres was born in 1957 in Güaimaro, Cuba, and currently lives and works in New York City. Fortune cookies, endless supply. Felix Gonzalez-Torres American, born in Cuba, 1957-1996 "Untitled" (Portrait of Ross in L.A.), 1991 Multicolored candies, individually wrapped in cellophane, ideal weight 175 lbs The Art Institute of Chicago, promised gift of Donna and Howard Stone Courtesy the Felix Gonzalez-Torres Foundation. Felix Gonzalez-Torres - Untitled, 1991, installation view, Manhattan, New York, for Projects 34, Museum of Modern Art, 1992, photo: Peter Muscato Untitled - Bed billboards His sexual orientation and its socially and politically fraught depiction were topics that the openly gay artist inspected. I thought that it was easy for me to walk by Felix Gonzalez-Torres's work the first time I saw it, probably five years ago. — Felix Gonzalez-Torres. Felix gonzalez-Torres, "Untitled" (Portrait of Marcel Brient) The candy pieces are the most celebrated and iconic series by Felix Gonzalez-Torres. Felix Gonzalez-Torres. Private collection, Germany. Because the work was exhibited during the height of COVID-19 restrictions, we hosted a series of virtual discussions and Q&As about the artist and artwork which . Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. To mark the occasion, Gonzalez-Torres extended his series of sheer blue curtains ("Untitled . His work addresses issues of identity, desire, originality, love, loss, and the private versus the public domain. Felix Gonzalez-Torres "Untitled" (Perfect Lovers) 1991 Not on view Initially set to the same time, these identical battery-powered clocks will eventually fall out of sync, or may stop entirely. Felix Gonzalez-Torres (November 26, 1957 - January 9, 1996) is a groundbreaking American artist famous for the simplicity and impact of his installations. Lawrence Rinder. The datelines drew their power, for Gonzalez-Torres, in a techno-cultural experience that . View Untitled (The Show Is Over). Jerome Sans and Nicolas Bouriaud October 7, 2006. Overall dimensions vary, ideal weight is 50 pounds. Felix Gonzalez-Torres. Sadly, Felix himself would soon fall victim of the disease as well, and it would ultimately take his life in 1996. This billboard by Gonzalez-Torres has two lines of white text that run across the bottom of a black background which read: 1990 "Untitled" (A Corner of Baci) 1988 Forbidden Colors 1994 "Untitled" (Portrait of MOCA) 1993 "Untitled" (Last Light) No image available. Classification Installations. Collection gallery. Through the manner of displaying the artwork, along with the process of the viewer's participation, each work . Untitled (S.114, Hanging, Six-Lobed Continuous Form within a Form with One Suspended and Two Tied Spheres) Wall text invites visitors to take pieces from the pile. 208: True Stories. "Untitled" (Portrait of Ross in L.A.) consists of commercially available, shiny wrapped confections. This exhibition presents in observance of World AIDS Day, December 1, and continues a 16-year tradition at the museum. Exhibitions Theater of Operations: The Gulf Wars 1991-2011. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. Schwules Museum Berlin. Yet despite their apparent simplicity and emphemerality, these acts can evoke far more complex social and political undertones. By González-Torres Felix; Offset on thin card; 119,5 x 79,5cm. Artist. Felix Gonzalez-Torres . In the case of his candy works, the audience may choose on Shown under the exhibition title Felix Gonzalez-Torres; Centro Galego . 1992, Light bulbs, porcelain light sockets and extension cords, Installation view of Felix Gonzalez-Torres: Specific Objects without Specif ic Form, Wiels Center for . This work, called "Untitled", is made of 175-tons of candy.Single coloured, same size pieces of real candy. Félix González-Torres (American, born Cuba, 1957-1996) "Untitled" (The End), 1990 Print on paper Collection Museum of Contemporary Art Chicago, restricted gift of Carlos and Rosa de la Cruz; Bernice and Kenneth Newberger Fund, 1995.111 On loan to the Block Museum of Art, Northwestern University Accession number 96.74.1a-l. He possessed an uncanny ability to produce elegant and restrained sculptural forms out of common materials. Only a portion of SFMOMA's collection is . Contemplative and deeply poetic, Felix Gonzalez-Torres's "Untitled" (March 5th) #2 is a profoundly moving sculptural expression that is at once personal and poignantly universal, evoking myriad associations such as love, loss, and the potential for continuous renewal. Felix Gonzalez-Torres, Artist "Untitled" (USA Today) , 1990 Medium Candies, individually wrapped in red, silver, and blue cellophane (endless supply) Dimensions 300 lb. David Ireland (1930-2009) was an artist and architect whose best-known work is his own house at 500 Capp Street in San Francisco—at once an environmental artwork, social sculpture, and his . Date 1994. Felix Gonzalez-Torres, Untitled (Ross in L.A.) — 1991. Image not available Felix Gonzalez-Torres "Untitled" (Portrait of Elaine Dannheisser) 1993. As Gonzalez-Torres commented, "Someone's agenda has been enacted to define 'public' and 'private.' We're really talking about private property, because there is no private space anymore. Imaginable, this work is . Dimensions Dimensions variable. The installation consists of 175 pounds of candy, matching Ross's ideal body weight. Felix Gonzalez-Torres (b. Guáimaro, Cuba, 1957-1996) 's "Untitled" (Placebo), 1991, a monumental installation, on loan from the Museum of Modern Art, New York, features a single sculpture comprised of 1200 pounds—nearly 40,000 pieces—of silver-wrapped hard candy. Inspired by African and Iberian art, he also contributed to the rise of Surrealism and Expressionism. Felix Gonzalez-Torres produced work of uncompromising beauty and simplicity, transforming the everyday into profound meditations on love and loss. Provenance. Felix Gonzalez Torres: "Untitled" (Placebo) Williams College Museum of Art, Williamstown, MA [As a part of World Aids Day Exhibition] December 1, 2007 - March 23, 2008. Performance - Felix Gonzalez-Torres - "Untitled" (Go-Go Dancing Platform), 1991Kunstmuseum St.Gallen, Dauerleihgabe aus PrivatbesitzFilmaufnahme von Sebastia. "Untitled" (L.A.) is one of the artist's candy spill works that employs the familiar and alluring material of candy. Made in a short span of just three years, between 1990 and 1993, the candy pieces are works of great physical beauty and immediacy of physical appeal: shimmering masses of edible color spilled . A few years later, he also dealt with the virus and he died in 1996. Felix Gonzalez-Torres was a Cuban-born American artist known for his landmark installations that transform humble objects into solemn meditations on death and intimacy. Felix Gonzalez-Torres's artworks often encourage viewers to perform a simple action like taking a candy from a mound on the floor or rolling up a sheet of paper from a stack. In late 1993, Felix Gonzalez-Torres agreed to inaugurate FWM's then-new space at 1315 Cherry Street with an exhibition of new and selected works, chosen by the artist and placed in both prominent and discrete locations throughout the largely unfinished offices, studios, and exhibition spaces. If you are planning a visit to SFMOMA to see a specific work of art, we suggest you contact us at collections@sfmoma.org to confirm it will be on view. "Untitled". Jointly owned by ArtBridges and Crystal Bridges Museum of American Art. "Untitled" (Portrait of Ross in L.A.) is an allegorical representation of the artist's partner, Ross Laycock, who died of an AIDS-related illness in 1991. Galerie Xavier Hufkens, Brussels. Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more González-Torres's portrait of his late lover, Ross Laycock, Untitled (Portrait of Ross in L.A.), 1991 [fig. "Untitled" (L.A.) is an installation by the late Felix Gonzalez-Torres (1957-1996) and is jointly owned by Art Bridges and Crystal Bridges Museum of Art, on view at RIT City Art Space from October 22, 2020 - February 21, 2021. A Minimalist Tradition: Coming from an art historical background, Gonzalez-Torres was impacted by works like those in our collection by Minimalist artists Donald Judd, Dan Flavin, and Brice Marden. Félix González-Torres (November 26, 1957 - January 9, 1996) was a Cuban-born American visual artist. Felix Gonzalez-Torres "Untitled" (America) 1994 Not on view. The portrait is composed of a mountain of brandless, metallic-wrapped, multi-colored candies. Access more artwork lots and estimated & realized auction prices on MutualArt. Felix Gonzalez-Torres: "Untitled" has been made possible by generous support from Christopher E. Olofson, Class of 1992, and the Bagley Wright, Class of 1946, Contemporary Art Fund. Felix Gonzalez-Torres found the formal origins of this billboard, Untitled (1989), and other works like it (grouped together under the moniker "datelines") in flipping through television channels in the early morning hours after a shift waiting tables. Gonzalez-Torres was a huge activist for the gay community and used his art as a way to speak and educate about the struggles of AIDS. Felix Gonzalez-Torres. overall dimensions vary with installation. Felix Gonzalez-Torres "Untitled" (Perfect Lovers) 1991. Further support has been provided by the Partners and Friends of the Princeton University Art Museum. In the gallery stairwell, three separate light strings from 1992 and 1993 are joined together in one expansive work that ends in a coil of lights on the ground floor. Maybe I am reading into it a bit too much, but this piece seems cannibalistic to me. "Untitled" (Loverboy) The installation "Untitled" (Loverboy) at the Mies van der Rohe Pavilion is part of the exhibition Felix Gonzalez-Torres: The Politics of Relation by MACBA. Nov 3, 2019-Mar 1, 2020. Picasso's sizable oeuvre grew to . Our intimate desires, fantasies, dreams are ruled and intercepted by the public sphere." . Get the app. Felix Gonzalez-Torres Felix Gonzalez-Torres American Sculptor, Photographer, and Installation Artist Born: November, 26 1957 - Guaimaro, Cuba Died: January 9, 1996 - Miami, Florida Movements and Styles: Post-Minimalism , Conceptual Art , Relational Aesthetics , Institutional Critique , Street and Graffiti Art One will inevitably stop before the other. Gift of the Dannheisser Foundation, 1996. by Dr. Thomas Folland Felix Gonzalez-Torres, "Untitled" (billboard of an empty bed) 1991, printed billboard, dimensions variable © The Felix Gonzalez-Torres Foundation Untitled (billboard of an empty bed) is a stark, black-and-white image of the rumpled sheets and pillows of an unmade bed. (136.1 kg) Credit Line The Museum of Modern Art, New York. A worldwide exhibition of Felix Gonzalez-Torres' 'Untitled (Fortune Cookie Corner)' encourages questions about what it means to experience art in isolation, and how human connections can still be . Untitled: An Installation by Félix González-Torres as part of the Visual Aids Program. Felix Gonzalez-Torres (November 26, 1957 - January 9, 1996) is a groundbreaking American artist famous for the simplicity and impact of his installations. Somewhere/Nowhere. Felix Gonzalez-Torres's paper stack work "Untitled" (Passport) (1991) was installed at The David Ireland House as part of the exhibition Box of Angels. Felix Gonzalez-Torres Felix Gonzalez-Torres (November 26, 1957-January 9, 1996) was an American, Cuban-born visual artist.Gonzalez-Torres grew up in Cuba, and lived in Puerto Rico before moving to New York City in 1979.Gonzalez-Torres had a one-man exhibition of his early text pieces in 1988 at the Rastovski Gallery (560 Broadway) in Soho. Medium Twelve light strings, each with forty-two 15-watt lightbulbs and rubber sockets. Suzanne Pagé, Béatrice Parent, and Nancy Spector [Third of three venues. And religious. Despite the fact that Felix Gonzalez-Torres always named his pieces using the word "Untitled," he also added a title with personal meaning to him, like "Perfect Lovers." The work "Perfect Lovers" consists of two identical clocks that are set to display two exact and same times. "I need the public to complete the work," he stated, "to become part Felix Gonzalez-Torres American, born Cuba, 1957-1996 Felix Gonzalez-Torres's work is consistently characterized by a sense of quiet elegy. Felix Gonzalez Torres ''Untitled'' (Go-Go Dancing Platform) 1991. Wood, lightbulbs, acrylic paint, Go-Go dancer in silver lamé bathing suit, sneakers, and personal listening device. Felix Gonzalez-Torres (1957-1996) Untitled (L.A.) 1991. "Untitled" (Perfect Lovers) by Felix Gonzalez-Torres, 1991, via The Museum of Modern Art, New York. The subtitles contain autobiographic elements: Love Meal, Summer, Toronto, Rue St. Denis, March 5th, and in the case of the work in the MACBA Collection . Felix Gonzalez-Torres (Girlfriend in a Coma) Musée d'Art Moderne de la Ville de Paris, Paris, France Cur. Felix Gonzalez-Torres American, born Cuba, 1957-1996 Felix Gonzalez-Torres's work is characterized by a sense of quiet elegy. The disease claimed his life in 1996, just as it had his partner's a few years earlier. Perhaps the most influential artist of the 20th century, Pablo Picasso may be best known for pioneering Cubism and fracturing the two-dimensional picture plane in order to convey three-dimensional space. González-Torres was known for his minimal installations and sculptures in which he used materials such as strings of lightbulbs, clocks, stacks of paper, or packaged hard candies. The adaptation of this piece, consisting in a blue cloth curtain that slightly touches the floor, in the architectural space and the petic sensuality which it introduces, opens our view . All photos courtesy of Andrea Rosen Gallery. Felix Gonzalez-Torres The Douglas Hyde Gallery, Dublin, Ireland December 9, 1999 - January 31, 2000 Jurassic Technologies Revenant If you haven't already, check out Artpace's website (artpace.org) to learn about and locate Félix González-Torres: Billboards, a Texas-wide exhibition of … well, it's . Felix Gonzalez-Torres, Untitled (Summer), Dimensions vary with installation, Courtesy of the Carlos and Rosa de la Cruz collection. AIDS is one of the central focuses of the life and work of Felix Gonzalez-Torres. Two synchronized clocks, like those typically found in offices and public spaces, are displayed side by side. Please note that artwork locations are subject to change, and not all works are on view at all times. Félix Gonzalez-Torres was a conceptual artist known for his participatory installations that incorporate a range of media and materials, including photography, sculpture, and ready-made objects. See available prints and multiples, photographs, and . View Felix Gonzalez-Torres's 296 artworks on artnet. Brooklyn Museum, Brooklyn, NY December 1, 1989 - January 1, 1990. The date of this work corresponds to the time during which Felix Gonzalez-Torres's partner, Ross Laycock, was ill, and it embodies the tension that comes from two people living side-by-side as life moves forward towards death. Felix Gonzalez-Torres, "Untitled" (Perfect Lovers), 1987-1990 Photo: Cuban Art News "It's about inevitability, but it's also about continuation," Rosen said. One of the defining moments in his widely influential career, "Untitled" can be considered a self-portrait in the form of words and dates. Andrea Rosen Gallery and David Zwirner are pleased to present a live exhibition of Felix Gonzalez-Torres' "Untitled" (Fortune Cookie Corner) in various places throughout the world. MoMA PS1. Upon closer inspection however, the work reveals its identity as a set of jigsaw puzzles. Fall 2019-Fall 2020. This exhibition invites a diverse and international group of 1,000 people to each manifest the work as a "place" as part of one total "site" of this expansive exhibition. Strange Ways, Here We Come: Felix Gonzalez-Torres and Donald Moffett. Additional venues: The Solomon R. Guggenheim Museum, New York, NY. Photo by Efraim Lev-er. At first glance, the twin images in Felix Gonzalez-Torres' "Untitled" (A Couple), 1991 appear as simple photographs of cloud formations. 1992/1993. 3 Mar. 1], exemplifies provocations to the traditional Postmodern narrative. University of British Columbia Fine Arts Gallery, Vancouver, Canada Cur. Show The Week in Art, Ep Refugees and art, NFTs and more in Dubai, Felix Gonzalez-Torres's golden curtain - 10 Mar 2022 It consists of two identical synchronized clocks, that will eventually fall out of sync. - 10 May 1995. In the 1990s, Felix Gonzalez-Torres composed a series of works using strings of lightbulbs and beaded curtains that combined great formal simplicity with powerful emotive and poetic expression. Felix Gonzalez-Torres, "Untitled" (Fortune Cookie Corner), 1990. Conceived shortly after Gonzalez-Torres's partner was diagnosed with AIDS, this work uses everyday objects to track and measure the inevitable flow of time. From Heritage Auctions, Felix Gonzalez-Torres, Untitled (Double Portrait) (1991), Offset lithograph on paper, 39 1/4 × 27 1/2 in Works in MATRIX: Untitled, 1991-94, installation (two billboards glued to wall), dimensions and format variable. From Heritage Auctions, Attributed to Felix Gonzalez-Torres, Untitled (Double Portrait), Print on paper, 27 1/2 × 39 in ; . Sale, the free encyclopedia Untitled ( Summer ), dimensions vary with installation, Courtesy of the issues! His life in 1996, just as it had his partner & # x27 ; a! 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